ISSUE 19 2024 (i)
- On Semiotic Means with Infralogical Semantics by Leonid Tchertov
- Being and Non-Being: Friction or Fussion? by Aanuoluwapo Fifebo Sunday
- Methodological approaches to the study of the Kyrgyz Epic by G. Murzakhmedova, G. Botokanova and G. Zhunushalieva
- Memetic Aesthetics between Artistic Production and Cultural Heritage by Danilo Petrassi
- Analysis of the Typology of Mythologems and Features of Modern Myth-making by O. Naumovska, N. Rudakova and N. Naumovska
- Beyond Semiotics: A Re/Conceptualization of Literary Theories for Critical Gender by C. Ogunyemi and M. Motseki
- Fate, Uncertainty and Mystery of the Supernatural: Ironical Indictment as Literary Hermeneutics in Elechi Amadi’s The Great Ponds and The Concubine by Niyi Akingbe, Christopher Ogunyemi and Nnawuihe Echendu
- Revolutionary Aesthetics and Semiotic Analysis of Olu Obafemi’s Dark Time are Over? by Jide Ajidahun
- The Image of Woman in Nation Building: A Reading of Achebe’s Arrow of God by Grace Itoro Ibanga
- Semiotics in the Artworks of Isan Artists by Sittera Samosorn Khon Kaen, Niyom Wongpongkum and Wirat Wongpinunwatana