Body language in a musical drama: the case of “Jesus Christ Superstar” by Svetlana Pereverzeva
This paper is devoted to different aspects of interaction of the semiotic systems that coexist inside any musical drama, i. e. the music, the libretto and the body language. The rules and mechanisms of such interaction are discovered by means of the comparative analysis of the two screen versions of the rock-opera “Jesus Christ Superstar”.