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DOI 10.33234/ssr.11.3

CARNIVAL IN THE ABSENCE OF THE ACTOR

Elena A. Semenova

 

 

 

ABSTRACT

In article the carnival activities consider as an aesthetic personal activity, not exempt from non-aesthetic moments, going beyond the «special activity of the artist сreator». The author introduces the concept of «clown in clownery», correlated in Bakhtin formula of «vnenakhodimost’», based on the love and participation of the author in relation to the hero. It is concluded that in the acting school there is only the first stage of the game (serious) systematized. The second carnival modeling system in which the transition to a new, deep level of philosophical understanding has the casual character at the school of education of actors and directors. The author refers to the results of his research aimed at expanding the ideas of students-directors and students-actors about the chosen profession by immersing in an active carnival-art environment.

 

KEYWORDS

Humor, irony, carnival attitude, familiar contact, M.M. Bakhtin, G. Shpet, D. McCaw, carnival culture, art, theatre, actor, director.